Digital SLR Photography

How to shoot window-lit portraits

By Caroline Schmidt. Posted

When it comes to flattering, versatile and malleable lighting, daylight can’t be beaten. It’s free, plentiful and ready to use if you know how to control and manipulate it for creative effect. Any window or doorway can work as a great indoor light source, so long as the sun isn’t streaming directly through it. North-facing windows generally offer the most consistent light, but at this time of year as the light is low and soft anyway almost any opening will do.

The size of your window plays a part in the quality of the light, too: the bigger the window, the softer and broader the light so bear in mind light levels will likely be low with small windows during the winter months.

Once you’ve chosen your light source, you need to decide on the style of lighting you want. Side-lighting, front-lighting and backlighting each come with their own set of considerations and technical challenges. How you position your subject in relation to the light – its proximity and angle – have a massive impact, as well as if you diffuse it with material. Have a reflector close to hand to fill in shadows, too, when side or backlighting. Front lighting if often the preferred method for a soft, evenly-lit portrait, while a side-lit portrait delivers more drama – try them for yourself.

Frontal lighting

Place a subject in the entrance of a window or door and have them move backwards slowly to evaluate how the light falls on their face. You want to stop them at the point where their skin is luminous and shadowless. Position yourself in front of them, with the light behind you.

Behind the scenes

EXPOSURE
Set your camera to aperture-priority mode and use spot metering to expose for the evenly-lit skin, this should automatically darken the background as your subject is closer to the light. Keep an eye on your shutter speed though and, if necessary, increase the ISO to give a shutter speed that eliminates camera shake.

FOCUS
Set your camera to shoot in single-point AF mode and position the AF point over one of your subject’s eyes. By using a wide aperture such as f/2.8 and focusing on a eye, whilst keeping the camera parallel to the face, you’ll get a beautiful fall-off in focus. If you pose them at an angle, you’ll need to stop down your aperture to ensure both eyes are rendered sharp.

4 background

BACKGROUND
Often when front lighting a portrait, you’re at the mercy of your background. Try to remove clutter but embrace scenes that add context to your image by not overly darkening them. For a cleaner finish, use seamless paper or poster board behind your subject.

Window light portrait FINAL

From Digital SLR Photography store

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